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Lee Konitz
Born:
Konitz is sometimes regarded as the preeminent cool
jazz saxophonist, because he performed and recorded
with Claude Thornhill, Lennie Tristano (both often cited as
important cool jazz proponents of the mid 1940s), and
with Miles Davis on his epochal Birth of the Cool, which
gave the form its name.
Konitz has also been repeatedly noted as one of the few
jazz saxophonists of the late 1940s and 1950s who did
not seem imitative of the massively influential Charlie
Parker.
In the early 1950s, Konitz recorded and toured with Stan
Kenton's orchestra.
In 1961, he recorded Motion with Elvin Jones on drums
and Sonny Dallas on bass
George Coleman: George Coleman with Strings
by Jack Kenny
The allure of recording with strings has captivated many jazz icons, from Stan Getz and Dizzy Gillespie to, most famously, Charlie Parker. For some, it is a pursuit of a different kind of respectability, an envying nod to the classical world. For George Coleman, a revered NEA Jazz Master, it was a chance to expand his ...
Eddie Palmieri, Bela Bartók, Louis Armstrong
by David Brown
This week's program features the music of Latin music innovator, pianist and composer Eddie Palmieri who passed on August 6th. The show will continue with a 124th birthday tribute to Louis Armstrong with a set from The All Stars. The program also features music inspired by composer Bela Bartók as performed by pianist Lucian Ban & ...
Russ Johnson: To Walk On Eggshells
by Glenn Astarita
Russ Johnson, a Chicago-bred trumpeter with a knack for adventurous jazz, joins forces with Swiss bassist Christian Weber and drummer Dieter Ulrich, both stalwarts of the Zurich jazz scene. Johnson's resume boasts collaborations with everyone from Lee Konitz to his own genre-bending Russ Johnson Quartet, while Weber and Ulrich have carved out reputations as nimble improvisers, ...
Forgotten Saxophonists on their Centennial: Harold Ashby, Leo Parker, Sahib Shihab & Dave Pell
by Larry Slater
There are a remarkable number of important jazz artists born 100 years ago, and in this hour we'll celebrate saxophonists who have been largely overlooked.The tenor saxophonist Harold Ashby is best known for his years in the Ellington saxophone section. Though he recorded as a leader infrequently, he became a major soloist in the ...
Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation
by Artur Moral
Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...
The Song Poetry of Torhild Ostad and Kazzrie Jaxen
by Jakob Baekgaard
While many singers interpret songs, few elevate them into song poetry--a fusion of lyricism and phrasing that transcends genre. This rare quality emerges when voice, words, and musical interplay coalesce into something greater than the sum of their parts. It is a phenomenon found in the recent albums by Norwegian vocalist Torhild Ostad and pianist-singer Kazzrie ...
Orquestra Jazz de Matosinhos: Boreal
by Dan Bilawsky
Portugal's Orquestra Jazz de Matosinhos and Spanish saxophonist Perico Sambeat are no strangers. The two first collaborated on a concert back in 2007. Then they joined forces in 2021 to explore Ornette Coleman's work. Now, continuing to develop their relationship, they bring Iberian ideals and modernity to the fore on Boreal. Sambeat is ...
Anouar Brahem, Chris Gall, José Luiz Martins & More
by Marek J. Śmietański
Our 110th episode features new releases from various artists--it's annex to Spring 2025. So, Albums not mentioned until now, that reached me with a delay or that I previously overlooked. This selection is very international and very diverse, and by the way--very spring-like (meaning greenish). After all, diversity is a source of strength. Podcast in Polish ...
Mark Masters Ensemble: Sam Rivers 100
by Dan McClenaghan
The Mark Masters Ensemble released Porgy and Bess Redefined! (Capri Records) in 2005. The music was taken from the George Gershwin/DuBose Heyward English-language opera, which was first performed in 1935. Masters' take on the classic was brilliantly expressed by the ensemble, who dug into his adventurous charts with freedom mixed with respect for the familiar and ...
