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Ornette Coleman
Born:
Early on in his career, alto saxophonist Ornette Coleman, recorded an album entitled, The Shape of Jazz To Come. It might have seemed like an expression of youthful arrogance - Coleman was 29 at the time - but actually, the title was prophetic. Coleman is the creator of a concept of music called "harmolodic," a musical form which is equally applicable as a life philosophy. The richness of harmolodics derives from the unique interaction between the players. Breaking out of the prison bars of rigid meters and conventional harmonic or structural expectations, harmolodic musicians improvise equally together in what Coleman calls compositional improvisation, while always keeping deeply in tune with the flow, direction and needs of their fellow players. In this process, harmony becomes melody becomes harmony. Ornette describes it as "Removing the caste system from sound." On a broader level, harmolodics equates with the freedom to be as you please, as long as you listen to others and work with them to develop your own individual harmony.
After Walking On The Wild Side 8/18/72
By Lou Reed
Label: April First Records
Released: 2025
Track listing: Sidewalk Hustler; Sewer Rat Socialists; Banshee Negligee; Ornette's Opus: Trident 1; Studio Chatter;
Ornette's Opus: Trident 2 & 3; More Chatter; Brittany's Stiletto.
Tatsuya Yoshida / Martín Escalante: The Sound of Raspberry
by Mark Corroto
This LP may be the revelation of 2025--or a sonic ordeal, depending on your tolerance for noise and your grasp of history. Japanese drummer Tatsuya Yoshida and Mexican saxophonist Martín Escalante met at the perfect moment in December 2023 to record 14 tracks at Tokyo's Bar Aja. The result, The Sound of Raspberry, is the love ...
Deconstructing Free Jazz
by Robert J. Lewis
In the continuously evolving history of artistic expression, certain movements emerge that challenge the very foundations of our aesthetic sensibilities. In the early and mid-20th century, Expressionism and free jazz were two audacious musics that not only broke all the rules but broke the spirit of many well-intentioned listeners. If the terms are not ...
Silke Eberhard Trio: Being-A-Ning
by John Sharpe
Adventurous German saxophonist Silke Eberhard has long favored the trio format as a proving ground, even as she splits her time with her larger Potsa Lotsa ensemble, and other projects. With bassist Jan Roder and drummer Kay Lübke, she has cultivated a rapport that feels both intuitive and restless. Being-A-Ning, the group's fifth release--each one bearing ...
Ravi Coltrane Quartet: Live at Jazz Alley in Seattle
by Paul Rauch
Ravi Coltrane Quartet Jazz Alley Seattle, WA August 21, 2025 I suppose there are still those who attend Ravi Coltrane sets out of curiosity, or some attempt to somehow access the Coltrane legacy in real time. It's true that the son of John Coltrane and Alice Coltrane has not been one ...
Paolo Angeli: Between Avant-garde and Sardinian Traditions
by Libero Farnè
I had not interviewed Paolo Angeli since February 2007, when the Sardinian musician had already moved on from Bologna, a scene that gave him crucial formative experiences and laid the groundwork for his artistic maturity. Since then, Angeli has embraced a wide range of musical experiences and collaborations, steadily building his international reputation through ...
Nils Agnas: Nils Agnas Koper Sig Ur En Kris
by Vincenzo Roggero
Nils Agnas, non ancora trentenne batterista svedese, è il più giovane rappresentante di una famiglia di musicisti che da due generazioni testimonia la vitalità del jazz scandinavo. Entrato in una profonda crisi personale un paio di anni orsono, Nils ha pensato di intraprendere un percorso di rinascita investendo la quasi totalità dei suoi averi nella registrazione ...
Álvaro Torres: Iris
by Angelo Leonardi
Tempus fugit. Quest'album fotografa il debutto professionale a New York del pianista madrileno Álvaro Torres, in trio col batterista Barry Altschul e il contrabbassista John Hébert. La registrazione è del luglio 2023 ma già il mese successivo Torres presentava a Barcellona il quartetto europeo con Tony Malaby al sax tenore, Masa Kamaguchi al contrabbasso e Kresten ...
Cécile McLorin Salvant's Ogresse At Carnegie Hall
by Adam Beaudoin
Cécile McLorin Salvant Carnegie Hall Ogresse New York, NY May 21, 2025 The relationship between jazz and classical music has a long, complicated history. Musicians themselves tend to care more about the music than concepts of genre, and you only need to listen to the echoes of French Impressionism ...
